• About
  • CV
  • Articles
  • Calendar
    • Infinity Landscapes (2023- present)
    • Infinity Series (2018-present)
    • Liminal Space (2017)
    • Pulse Beat (2023)
    • Renga (2016)
    • Textile Design (2016)
    • Itadakimasu (2014)
    • The Floating Exchange (2014)
    • 100 Year Ceiling - Japan (2013)
    • Xiě Dòng Huà 寫動畫
    • Indigo Daze (2023)
    • Octopussy (2023)
    • Zephyr (2023)
    • Netsuke (2023)
    • Emissaries of Beauty (2023)
    • REEF (2023)
    • XIE HUA (2022)
  • Newsletter
  • Contact
Menu

Gina Choy

Street Address
, QLD,
Phone Number
Visual Artist and Researcher

Your Custom Text Here

Gina Choy

  • About
  • CV
  • Articles
  • Calendar
  • Hand Generated
    • Infinity Landscapes (2023- present)
    • Infinity Series (2018-present)
    • Liminal Space (2017)
    • Pulse Beat (2023)
    • Renga (2016)
    • Textile Design (2016)
    • Itadakimasu (2014)
    • The Floating Exchange (2014)
    • 100 Year Ceiling - Japan (2013)
  • Computer-Generated
    • Xiě Dòng Huà 寫動畫
    • Indigo Daze (2023)
    • Octopussy (2023)
    • Zephyr (2023)
    • Netsuke (2023)
    • Emissaries of Beauty (2023)
    • REEF (2023)
    • XIE HUA (2022)
  • Newsletter
  • Contact
Pulse

Liminal Space (2017)

LIMINAL SPACE CATALOGUE

EXHIBITION REVIEW

Liminal Space is a culmination of Gina Choy’s (at the time working as Georgina Hooper) visual arts practice-led research with the University of Canberra in which she explores the sublime. The resulting body of paintings are creative artifacts reflective of her search for an experience of the sublime, her findings and evidence of the new knowledge that has emerged from her research.

The exhibition of her delicate rice paper paintings and large-scale oil paintings on linen is characterised by her expressive and calligraphic brush lines, indelible mark making, palpable spaces and atmospheric stillness. The works oscillate between abstraction and figuration, drawing from an observation of nature to make visible the invisible. Through cross-cultural fertilization with the East the artist has sought, formed and felt an enriched understanding of the sublime experience. Her process of creating this work has brought Hooper to a threshold of contemporary language which contemplates a primal and vital relationship with nature as a source.

The artist’s methods of making have served to deepen her understanding of the creative process and its potential for transformation. Using a meditative artistic practice, directed and defined by the principles of traditional Chinese landscape painting and its focus on the metaphysical, Choy has been moved to connect with something higher. The resulting body of work is a collection of vast and ethereal spaces which entice audiences into an immersive encounter echoing the artist’s creative process, experiences and findings.

Liminal Space (2017)

LIMINAL SPACE CATALOGUE

EXHIBITION REVIEW

Liminal Space is a culmination of Gina Choy’s (at the time working as Georgina Hooper) visual arts practice-led research with the University of Canberra in which she explores the sublime. The resulting body of paintings are creative artifacts reflective of her search for an experience of the sublime, her findings and evidence of the new knowledge that has emerged from her research.

The exhibition of her delicate rice paper paintings and large-scale oil paintings on linen is characterised by her expressive and calligraphic brush lines, indelible mark making, palpable spaces and atmospheric stillness. The works oscillate between abstraction and figuration, drawing from an observation of nature to make visible the invisible. Through cross-cultural fertilization with the East the artist has sought, formed and felt an enriched understanding of the sublime experience. Her process of creating this work has brought Hooper to a threshold of contemporary language which contemplates a primal and vital relationship with nature as a source.

The artist’s methods of making have served to deepen her understanding of the creative process and its potential for transformation. Using a meditative artistic practice, directed and defined by the principles of traditional Chinese landscape painting and its focus on the metaphysical, Choy has been moved to connect with something higher. The resulting body of work is a collection of vast and ethereal spaces which entice audiences into an immersive encounter echoing the artist’s creative process, experiences and findings.

Pulse

Pulse

(2017)

Oil on linen, 150cm x 150cm

Photo by Carl Warner, courtesy of the artist.

NFT

IMG_4237.jpeg
Untitled #1

Untitled #1

(2017)

Ink and watercolour on rice paper, 50 x 50cm, conservation stretched.

Photo by Carl Warner, courtesy of the artist.

Enquire

Quantum

Quantum

(2017)

Oil on linen, 48 x 48cm.

Photo by Carl Warner, courtesy of the artist.

NFT

Untitled #10

Untitled #10

(2017)

Ink and watercolour on rice paper, 50 x 50cm, conservation stretched.

Photo by Carl Warner, courtesy of the artist.

Enquire

Source

Source

(2017)

Oil on linen, 48 x 48cm.

Photo by Carl Warner, courtesy of the artist.

NFT

Untitled #11

Untitled #11

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Enquire

Untitled #12

Untitled #12

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Enquire

Untitled #13

Untitled #13

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Enquire

Untitled #15

Untitled #15

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Untitled #16

Untitled #16

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Untitled #2

Untitled #2

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Untitled #3

Untitled #3

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Untitled #4

Untitled #4

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Untitled #5

Untitled #5

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Untitled #6

Untitled #6

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Untitled #7

Untitled #7

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Untitled #9

Untitled #9

(2017)

Ink and watercolour on rice paper, 50 x 50cm, unframed.

Photo by Carl Warner, courtesy of the artist.

Conduit

Conduit

(2017)

Oil on linen, 150 x 150cm.

Photo by Carl Warner, courtesy of the artist.

NFT

Breath

Breath

(2017)

Oil on linen, 150 x 150cm.

Photo by Carl Warner, courtesy of the artist.

Currently Unminted

Lorentz Force

Lorentz Force

(2017)

Oil on linen, 150 x 150cm.

Photo by Carl Warner, courtesy of the artist.

NFT

IMG_4249.jpeg
Grounded

Grounded

2017

Oil on linen, 150 x 150cm.

Photo by Carl Warner, courtesy of the artist.

NFT

Continuum 一 Continuum 二 Continuum 三  (Triptych)

Continuum 一 Continuum 二 Continuum 三 (Triptych)

(2017)

Oil on linen, 216 x 72cm.

Photo by Carl Warner, courtesy of the artist.

NFT

一千 Steps

一千 Steps

(2017)

Oil on linen, 150cm x 150 cm

Photo by Carl Warner, courtesy of the artist.

NFT

IMG_4241.jpeg
Pulse

Pulse

Insitu