INFINITY LANDSCAPES
Infinity Landscapes (2023 - 2025) is an ongoing body of work that explores the liminal space between abstraction and landscape, offering a visual language for the invisible energies that surround and move through us.
Central to the practice is the cadence and structure of traditional Chinese calligraphic strokes—marks indigenous to China and rooted in a deep, sustained observation of the natural world. With origins dating back thousands of years, Chinese painting gave rise to calligraphy and its later formalisation in the Kangxi system. These strokes are not only aesthetic but algorithmic, encoding 天理 (li): the principle of natural order or universal truth.
Grounded in over fifteen years of study and practice in traditional Chinese painting methods and philosophy, the artist investigates how these gestures continue to express the rhythms of the natural world. Even as the work moves further into abstraction, the strokes remain charged with the vitality of heaven and earth.
Between Form and Formlessness
In January–February 2025, Choy’s painting Brushing Away the Clouds from her Infinity Landscapes collection was translated into digital form and exhibited on an extraordinary scale across multiple countries. Thanks to ArtCrush Gallery, Ooh Media and curator SpummaLab, her work appeared on 500 screens throughout Australia, including Melbourne, Sydney, Canberra, Brisbane, Gold Coast, Perth, and Adelaide (January 16–31). Following this, the exhibition extended internationally, lighting up 6,000 screens in Indonesia, 1,000 screens in Belgium, 3,000 screens in the Netherlands, 250+ screens in Finland, 31 screens in South Africa, 120 screens in Romania, 500 screens across Spain and Portugal, and Seoul, South Korea.
By bringing Brushing Away the Clouds into the public realm through digital screens, Choy continues to explore the intersection of technology and tradition, expanding the experience of art beyond the museum context and into everyday life, making it accessible to audiences around the world.
Presented by PhillipsX: SPACES II: CAPTURING THE EPHEMERA
In March–April 2025, Choy’s work Blue Cascade from her Infinity Landscapes collection was exhibited in SPACES II: Capturing the Ephemera, presented by PhillipsX and HOFA Gallery at Phillips’ Asia headquarters in Hong Kong. The exhibition brought together seven pioneering artists — Refik Anadol, Random International, Tyler Hobbs, Addie Wagenknecht, Maja Petrić, Gina Choy, and Sougwen Chung. In the context of this exhibition, Choy’s featured work Blue Cascade reflects her ongoing dialogue with ancient Chinese systems of science, art, and philosophy. By expanding these traditions through contemporary knowledge, practice, and pioneering technologies, the work seeks to fortify their wisdom in the face of change.
Brushing Away the Clouds (2023) Acrylic on canvas, 150 x 150cm
Dance of the Cherry Blossom (2023) Acrylic on canvas, 120 x 120cm
Eternal Cadence (2022) Acrylic on canvas, 120 x 120cm
November Rain (2022) Acrylic on canvas, 120 x 120cm
Blue Cascade (2025) Acrylic on canvas, 182.88cm x 152.4cm
Green Verdure (2025) Acrylic on canvas, 94 x 170 cm